Japanese noise pop in Kaimakli
Link to video piece やさしいにっぽん人 (Hatsune Kaidan, 2013) + Kaimakli glitch (nee, 2015) This fetisthistic imposition on Hatsune Kaidan's “やさしいにっぽん人” [Track 2, Vacant World (2013)], was made by nee for ne'e jouissance: a brief digital-art love affair in Kaimakli, Cyprus, in September 2015. It uses Hijokaidan’s experiment with the Hatsune Miku vocaloid to avatar-ize a… Continue reading Japanese noise pop in Kaimakli
όποτε θέλω να σου μιλήσω, εν να γράφω έναν ποίημαν (!)
τούτον εν το πρώτον. τούτον εν το δεύτερον.
https://www.youtube.com/watch?v=oxxssdNYk9g
a friend, on a guy, on a book on a woman on a friend on other women on a friend on women on ASCII art
techno-cypriotism
epixeirimatologw oti i prwti grapti kodikopoiisi tis dialektou me maziki efarmogi, itan se ASCII. Oti itan apli xrisi enos standard, antimetopisi aplis anangis, alla esimenen & mian ekfrastikin anaviwsin pou epkiaen kyriws topon sto IRC (& prin pou touton sta early kinita, & fantazoumai & sta local newsgroups). & touton to idioman en zwntanos progonos… Continue reading techno-cypriotism
the last
earlier this week
I gave in my resignation from the Board of Directors of Undo Point Contemporary Arts (Point Centre).
big data ouroboros
temporal algorithmic reversal with blockage
a Cypriot on the Hong Kong contemporary arts pt. 1: intro & notes on public art
I have 12 hours to put some of this down, not enough to produce anything mature but it’s this or nothing. Here’s the shape of it: I came to Hong Kong for the Global Digital Cultures Conference, to give a presentation on the digital lives of images of resistance / art interventions on public art… Continue reading a Cypriot on the Hong Kong contemporary arts pt. 1: intro & notes on public art
allonan 