enamoured with gmcfosho’s meta-confrontational political exorcisms: youtube-lofi(?) animation-SWAG hip-hop-killing anonymous video art doesn’t need this text, but here it is anyway SPLASH

These are the early stages of an online crush; https://www.youtube.com/watch?v=frDamZjCbkI of single-mindedly consuming someone's work in awe, in this case, of their mastery in designing online presence, the way they create an arena and then perform subtle subversions within it, with perfectly self-reflective / powerful politics that sync their visual style with their take on… Continue reading enamoured with gmcfosho’s meta-confrontational political exorcisms: youtube-lofi(?) animation-SWAG hip-hop-killing anonymous video art doesn’t need this text, but here it is anyway SPLASH

not(es) on participation [on writing (on art) in the first person]

I wrote this for NeMe, mid-2016 It's one of my free-est texts, and it connects my thinking about art, tech, and openness into a kind of politics of civic participation, locating experimental comments on this in the Cypriot arts. Here it is in full / to be occasionally updated. Caption: A piece by Natalie Yiaxi,… Continue reading not(es) on participation [on writing (on art) in the first person]

love for Nurtane: “Jaded historian of Makarios’ memory across media also thinks this is quite interesting for Pafos17” [draft]

OR “This is (the other) Aphrodite's fault”: Resolving the Dawn and the Sunset Issue (2017) Coming from a great interest in controversy, especially when it has to do with political memory, or the discursive overlap of politics and aesthetics, I conclude that the danger here isn't one of censorship. The issue is the idea that… Continue reading love for Nurtane: “Jaded historian of Makarios’ memory across media also thinks this is quite interesting for Pafos17” [draft]