Link to video piece
やさしいにっぽん人 (Hatsune Kaidan, 2013)
Kaimakli glitch (nee, 2015)
This fetisthistic imposition on Hatsune Kaidan’s “やさしいにっぽん人” [Track 2, Vacant World (2013)], was made by nee for ne’e jouissance: a brief digital-art love affair in Kaimakli, Cyprus, in September 2015. It uses Hijokaidan’s experiment with the Hatsune Miku vocaloid to avatar-ize a local glitch (art) accident.
Derivative of conversations with
Conceptually connected to
Audio track used with Hatsune Kaidan’s permission.
Published by nee
I sought meaning in academic research about conflict transformation in relation to art and media history, and efforts for recovering the commons (PhD Cultural Studies with the London Consortium). I worked and taught with a number of universities, art-centers and internationally funded programs with increasing focus on free and open source technology, until a child reactivated my connection with a circle of heart-giving art educators in Brasil and helped me see what the Situationists' meant with their rejection of alienated labour. My child and I started mapping out and learning from the bravest and most meaningful art-educational initiatives around the world, and we've been focusing on holding space and community for free play, towards what Silvia Federici describes as a re-enchantment. Through my own learning path (including on-going training in Waldorf and Forest school teacher training, What Future for Education, London Institute of Education 2019; Hand in Hand Professional’s Intensive 2020) I have come to see learning as a state of being that is meaningfully embedded and present in its social setting, prioritising applied responses to local and community needs, and contributing to each other’s creative, practical, scientific, emotional and other developmental processes through a recognition of the abundant nature of the necessary resources, materials, information, peer-to-peer learning, and tools. | neeii.info
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