(1) Notes on the Free/Libre Arts Unconference and TropicalBurn / The difference between me and a free person July 2019, Ixodos at A Casa Lar, Tijuca Forest, Rio de Janeiro Are YOU able to trust in a fully participatory format? / On the academy as capitalist enclosure (edu-factory). / On the (arts) academy as a… Continue reading Forest School writing: What did I think this was going to be, the revolution? On the Free/Libre Arts Unconference and TropicalBurn
The following is written in response / review to the State of the Monument (Nov 20, 2018 organised by the Cultural Studies and Contemporary Arts Lab, European University, Cyprus) via Loizidou, C. (2014) Commemoration, Public art and Memorial Politics in Cyprus, 1901-2013 [thesis] If monuments are about asserting or compensating for insecure regimes, then I… Continue reading perhaps it’s the nihilism, OR “If I were to start over, I would have been researching public fountains”
top google keywords for my academic work, no joke.
I really wanted to be a police officer. The dream was dashed when I realised that I couldn't produce passing transcripts during the Police Exams. I didn't have it in me to suspend critical thought in a way that would allow me to go through with it / answer the exam questions. It had become clear that this was the underlying requirement. What was left was to undergo the exercise as a kind of performance.
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I’ve been trying to understand what happened and why. Amidst the media absurdity, the offensive onslaught, the ever-deepening politics, and the strange suspension of normality, I’ve been asking questions in an effort to extract sense and political context from all this. I do not have my mother’s permission to publish / share anything (I have… Continue reading All one needs is an enemy: On the shifting definition of ‘political motivation’ and the Loizidou emails
So she was hacked. There dawns the realisation that it was a matter of time, one way or another. When we recently talked about the possibility of her being targeted in this way, in advance of all this, she ended the conversation with 'μάνα μου εν έσιει τίποτε.' Her sense that there's nothing to hide… Continue reading 4 points of frustration around the Eleni Loizidou ‘corruption scandal’ / My mom got hacked and they say she’s really dodgy!