πόθεν εφκήκεν το ξύλο;

[Edit: Γυρεύω ευκαιρία να ανασυντάξω το πιο κάτω σε σχέση για με την πιο κάτω δουλειά του Julio] ..τελικά εν ήταν που τον παράδεισον. Ήταν που την πόρταν του ψυχιατρείου. Πόθεν να τα πιάσεις τούντα πράματα & πόθεν να τ'αφήσεις. Περίληψη των πιο κάτω: εκτός που τα γενικά προβλήματα με την πόρταν (την κράτησην), προτείνω… Continue reading πόθεν εφκήκεν το ξύλο;

on Kyriaki Costas’s waterways

7/4/2015 Writing while the project is still in development, I wonder how Kyriaki's work on water might develop in exhibition-format. That is, I wonder how what I understand as a thoroughly rhizomatic project will be set-up and crystallised into a series of artworks and / or an edited volume - a process of institutional distillation… Continue reading on Kyriaki Costas’s waterways

Monumental Microhistories: Paradoxes in Cypriot commemorative art and their extensions

The below is a introduction to the why a t-shirt [insert image] is the most immediately complex art piece to come out of Cypriot politics, in the 21st century. Coming out of a larger study of Cypriot memorial politics and the Cypriot art and peace economy, this presentation isolates a series of anecdotal paradoxes in… Continue reading Monumental Microhistories: Paradoxes in Cypriot commemorative art and their extensions

Towards a culture of openness: afterthoughts on the first hackathon in Cyprus OR Self-organisation initiatives and their adoption of models of openness in Cyprus between 2011 and 2012

This google document is in progress. It started as some thoughts on hack{cyprus}*12 and turned into a piece on openness. The Cyprus Dossier said they’d be happy to publish it as soon as it’s finalised. This isn’t likely to happen any time soon, nor does it make sense to put it in a form that… Continue reading Towards a culture of openness: afterthoughts on the first hackathon in Cyprus OR Self-organisation initiatives and their adoption of models of openness in Cyprus between 2011 and 2012

Charalambos & Vaso Sergiou, “Chrystalleni Loizidou (b. 1983)” (2014) [change ex change, 2014]

How (or in this case, as who!), does one write about the work of Charalambos and Vaso Sergiou? Their previous work is both dense and diverse, their fields of interest broad, and they have already fabricated everything they would like to be part of, or in relation to their work, as well as what they… Continue reading Charalambos & Vaso Sergiou, “Chrystalleni Loizidou (b. 1983)” (2014) [change ex change, 2014]