(1) Notes on the Free/Libre Arts Unconference and TropicalBurn / The difference between me and a free person July 2019, Ixodos at A Casa Lar, Tijuca Forest, Rio de Janeiro Are YOU able to trust in a fully participatory format? / On the academy as capitalist enclosure (edu-factory). / On the (arts) academy as a… Continue reading Forest School writing: What did I think this was going to be, the revolution? On the Free/Libre Arts Unconference and TropicalBurn
29 July, 2019 Tineke called it soulwriting. We were talking about the trouble of caring too much about one's projects cum funding proposals. ________ You either trust in a fully participatory format or you don't. / On the academy as capitalist enclosure (edu-factory). / On the significance of deconstructing patterns of gathering and working that… Continue reading Forest School writing: What did I think this was going to be, the revolution? / A review of the Free/Libre Arts Unconference and TropicalBurn / The difference between me and a free person
reaphrodite.org/acasalar Here is collected information about A Casa Lar. I'm working to set up free/libre software infrastructure for A Casa Lar by Saturday-Sunday 29-30 June 2019, open days to which you are invited to participate. **A Casa Lar / The Home Houseis an artist space in the Tijuca Forest in Rio de Janeiro, managed by… Continue reading Ixodos at A Casa Lar
https://videopress.com/v/676Zz0pf This video was created for - Coursera’s “What Future for Education,” a reflective and open-ended application of online learning technology, - the “Free/Libre Technologies, Arts, and the Commons Unconference,”by the University of Nicosia and hack66, an event that investigates the political need to think, learn, and collaborate outside of typical academic, creative, and community… Continue reading what future for education: on trust, protection, and community
The following is produced for 'What future for Education' (2018, Institute of Education, University of London on Coursera) week 5: In an ideal world, how do you think education should be organised? What priorities do you think it should reflect? And who should be responsible for ensuring that it is of a good quality? Is… Continue reading A cultural historian’s approach to learning / By way of homework
The following is written in response / review to the State of the Monument (Nov 20, 2018 organised by the Cultural Studies and Contemporary Arts Lab, European University, Cyprus) via Loizidou, C. (2014) Commemoration, Public art and Memorial Politics in Cyprus, 1901-2013 [thesis] If monuments are about asserting or compensating for insecure regimes, then I… Continue reading perhaps it’s the nihilism, OR “If I were to start over, I would have been researching public fountains”
top google keywords for my academic work, no joke.
Keep Calm and Carry on Monitoring the Media: A Review of Monitorial Citizen, NeMe (Cyprus), 9th December 2017, part of State Machines: Art, Work, and Identity in an Age of Planetary-Scale Computation. Published on Furtherfield, and Institute of Network Cultures. IN TOTO: 3 years in Tokyo by Simone Philippou http://cyprus.wiz-guide.com/index.php?pageaction=kat&modid=1&artid=1001 NIMAC: Drone Vision: Judgement Day,… Continue reading Reviews
I realised early on that I would have to be OK with peeing myself. It seemed counter-productive to labour towards opening up more and more and more with each contraction, and during this maintain an exception for bladder control. I would have to let go of that as well. (I had come across no explicit discussion of bladder control during labour anywhere in the literature and clearly this wasn’t the time to look it up, although in retrospect a birth story from Ina May’s Guide to Childbirth comes to mind, where a woman mentioned that the toilet was where she felt most comfortable. Perhaps she was troubled by the same contradiction while relaxing her pelvic floor. In any case, labouring in the loo was out of the question. I needed to keep moving.) This also meant that I wouldn’t be able to rest much on the bed: wetting the bed was an inhibition I didn't care to break, plus lying down during contractions seemed to make them shockingly longer and stronger.
I really enjoyed writing this, can you tell? https://www.furtherfield.org/keep-calm-carry-monitoring-media-review-monitorial-citizen/